If I recall correctly it is King Richard III who begins the play by the same name with the famous “Now is the winter of our discontent, made glorious summer by the sons of York.” It is a captivating speech — the audience, sitting in the darkened auditorium, is introduced to the angry, tortured king and barely breathes so not to miss a word of the drama. The soliloqy ends and there is hush, silence, enchantment, and then the sound of a toilet flushing and old pipes creaking under the force of water pressure. Nice.
Such are the conditions under which summer stock thesbians must practice their craft. A spell so beautifully cast is broken by the ill-timed biobreak, a romantic scene is laid waste when the heroine barfs up her chicken dinner, the smartly timed grand entrance of the leading lady is thwarted when the set door gets stuck. Time for the old ab-lib. “Yoo Whoo, Sweetie. I am going around to the side entrance because I want to see how your tomato plants are doing before I join you for our long-awaited reunion.” Every one of these disasters befell my troupe as we valiently put on plays during the summer tourist season in Vermont.
Actors are trained professionals — we know how to handle a stage crisis. “The show must go on!” However, it is exceedingly difficult to “go on”, to convince the audience that they have been transported to a Depression-era farm house where the whacky family is gathered at dinner when there is a bat in the theatre doing dive bombing raids of the actors’ heads. We sit around the table bobbing in turn like carousel horses, first mother then father, then sister Mary as the bat swoops and dives. The audience, long since lost to the willing suspension of disbelief, cheers. Finally the curtain is drawn and a little intermission is announced. While the audience has a glass of wine a single shot rings out followed by a barely audible thump.
Perhaps losing a skirt on stage is not too bad. Anyone’s clothes can get caught on a nail (shoddy workmanship set crew!). It is just too bad it happened to a nun as she entered the confessional. And what jokester put real scotch in the decanteur and not tea? (A little too literal prop apprentice?) And what performance of the Scarlet Letter would not be enhanced by the Reverend wearing Nikes?
What does a good theatrical troupe do when their leading man breaks his elbow and requires a shoulder harness to hold up his cast? Why they design a cape of course. So, for the run of the show our hero looked like Lord Nelson ready to address the fleet before the battle of Trafalgar. Too bad we were peforming Equis. For West Side Story, the entire Jets gang had to wear capes. The local newspaper’s review mentioned the “breakthrough in costume design — a refreshing change from the usual interpretation.”
If you or your sons or daughters aspire to a theatrical career please be warned. There are times when we must depart from the script and are left on our own to “act” our way through adversity. You may be doing a love scene during which your lover begins to choke and the Heimlich maneuver is necessary. Practice weaving that in to different scenearios before you give up your day job.



